To maintain a wet edge, start near a corner and run the roller up and down the full height of the wall, moving over slightly with each stroke. Move backward where necessary to even out thick spots or runs. Don’t let the roller become nearly dry; reload it often so that it’s always at least half loaded. Keep the open side of the roller frame facing the area that’s already painted. That puts less pressure on the open side of the roller, so you’re less likely to leave paint ridges
If you're done painting for the day but still have more to do tomorrow, you don't have to go through the laborious process of cleaning your paintbrushes and paint-roller sleeves. Instead, simply brush or roll off the excess paint, then tightly wrap them in plastic food wrap. If necessary, double up the plastic to seal out any air, then place the wrapped brushes and roller sleeves in the refrigerator to keep them fresh. This might sound crazy, but it works—it'll keep the paint from drying overnight and rendering your equipment unusable.
Wonder how much Festool is paying Silva to showcase their outrageously expensive line of tools. He used practically the entire product line on this project that was nothing more than a Festool commercial. I guess the brad nailer company didn't offer any kickbacks to the crew because you never saw their brand name. This show has turned into nothing more than crass commercialism. And when did Silva become a 'master carpenter'. He can't hold a candle to Abrams. Never could. But he's definitely better at milking the sponsors. Would love to see the inside of his workshop.
A good paintbrush is key to a professional-looking finish. "A quality brush costs $15 to $25, but you'll discover that pros aren't as talented as you thought," says Doherty. "The equipment has a lot to do with their success." Most of our pros prefer natural-bristle brushes for oil-based paints, but they recommend synthetics for all-around use. When choosing a brush, pay attention to the bristles. Synthetic brushes are made of nylon or polyester, or a combination of the two. Poly bristles are stiffer, which makes them good for exterior or textured work, but for fine interior work, Doherty uses softer nylon brushes. Look also for tapered bristles, which can help you work to an edge, and flagged tips, which help spread the finish smoothly and evenly. Brushes are available in 1- to 4-inch widths. Most painters keep an arsenal on hand to match the job. "Use common sense," says Maceyunas. "A smaller brush gives you more control, but no one wants to paint a door with a 1-inch-wide brush." Doherty recommends starting with a 2- or 2-1/2-inch sash brush. The angled brush makes it easier to cut to a line and puts more bristles on the work than a square-tipped brush.