The problem with painting along the edge of textured ceilings is that it's almost impossible to get a straight line along the top of the wall without getting paint on the ceiling bumps. Pros have a simple solution. They run a screwdriver along the perimeter of the ceiling to scrape off the texture. "This lets you cut in without getting paint on the ceiling texture," one of our pros says. "The screwdriver creates a tiny ridge in the ceiling, so the tips of your paint bristles naturally go into it. And you'll never even notice the missing texture."
Use what the pros use—canvas drop cloths. They're not slippery and they absorb splatters (but still wipe up large spills or they can bleed through). "Unless you're painting a ceiling, you don't need a jumbo-size cloth that fills the entire room," a pro says. "A canvas cloth that's just a few feet wide and runs the length of the wall is ideal for protecting your floor, and it's easy to move."
The best time to tackle windows is in the beginning of the day, when you're fresh," says Doherty. "But it still takes me an hour to do a standard window." For double-hungs, begin by raising the inner sash and lowering the outer sash until their positions are almost reversed. Paint the lower half of the outer sash first, then the entire inner sash. Once the lower sash is dry, return both to their normal position, but leave them slightly open. Finish painting the outer sash. "Windows take too long to tape," says Doherty. When painting, overlap the glass by 1/16 inch to seal the wood.
Either you have the skill to paint your house, or you don't. Most South Jersey homeowners know what they can and can't do. They don't seem to consider the preparations nearly as much as the painting itself. I agree that great painting results rely on prep work. It can be tough to do these things by yourself. There are plenty of things to consider when hiring painters. repairsandpaints /hiring-painters/
Payment. Every client is different. Every job has it's own unique set of circumstances. I always start off the discussion with my clients saying that I'm flexible on how they would like to proceed with payments but that I prefer half down. I refuse to change order. Change orders are my last resort. Instead I ask questions at our initial meeting and try to be sure to cover all bases before I submit my estimate.
When I had my interior painting done, after clearing out all of the furniture, myself, I also removed all of the wall plates in all the rooms to be painted. They were a beige color and probably yellowed. The wall was originally an off white and I had it painted a light-mid grey, so those wall plates would look terrible. After pricing replacement plates, switches and outlets (Would have been way too expensive to replace all of them), I decided to just paint all of the wall plates, switches and outlets (Used just a black gloss spray paint). I sprayed the plates outside and used a small brush on the switches and outlets. It worked out just fine and the blacks plates, etc compliment the wall color. It has been 7 years and the plates, switches, outlets are holding up well.
As an owners rep and former estimator for a gc i do expect to pay a reasonable deposit say 10 percent and then weekly progress payments. I am asking the painter to book his time and to do the work on my schedule. Most painting companies are not huge operations they will pay their staff weekly. For most repaints i ask for one tinted primer coat and one finish coat for 100 percent coverage. New work gets one tinted primer and two finish coats for 100 percent coverage. The cost of the paint is not really that different for colors or finish. Brands like european fine paint and C2 are more expensive than Ben Moore and sometimes more difficult to roll based on their consistency. Some home depot brands are as expensive as the Ben Moore and of equal quality others aren't. Red paints are notorious for number of coats required and special priming requirements.
Stacee, I agree with you completely, from adding water to latex paint to taking whites from job to job. This article makes all painters look like scam artists. You get what you pay for people! There is no denying that there are scammers out there but in my experience, most painters are under paid any ways so if you want a good paint job, you are going to pay for it. If you just want a new color on your walls real quick, and that is what you pay for then that's what you pay for people. Most painters get the crap end of the stick and are left with making an entire house look good when it took a lot more than a painter to build the house in the first place. Good painters do not get enough credit. They are not all scammers who are cutting corners!
Paint won't bond to greasy or filthy surfaces, like kitchen walls above a stove, mudrooms where kids kick off their muddy boots and scuff the walls or the areas around light switches that get swatted at with dirty hands. "I always use a degreaser to clean grimy or greasy surfaces," a pro tells PM. "It cuts through almost anything you have on walls for better paint adhesion."
Don't hesitate to ask all the questions you need to feel comfortable hiring a professional. You can also ask 3-4 professionals to make sure you have the right quote in mind. You must make sure they have a warranty or some kind of paperwork stipulating the quality of their jobs. Insurance is also a #1 priority to consider, as damage can happen in the process of painting.
We recently had the interior of our house painted and are extremely pleased with our entire experience working with Warline. They truly care about their customers, the quality of their work and ensuring their customers are 100% satisfied. This was evident throughout the entire process. The final quote was exactly the same as the initial estimate and Warren came back once the job was completed to do a walk around and ensure we were happy. We will absolutely call Warline again for any future painting projects we have. I highly recommend them.
A good paintbrush is key to a professional-looking finish. "A quality brush costs $15 to $25, but you'll discover that pros aren't as talented as you thought," says Doherty. "The equipment has a lot to do with their success." Most of our pros prefer natural-bristle brushes for oil-based paints, but they recommend synthetics for all-around use. When choosing a brush, pay attention to the bristles. Synthetic brushes are made of nylon or polyester, or a combination of the two. Poly bristles are stiffer, which makes them good for exterior or textured work, but for fine interior work, Doherty uses softer nylon brushes. Look also for tapered bristles, which can help you work to an edge, and flagged tips, which help spread the finish smoothly and evenly. Brushes are available in 1- to 4-inch widths. Most painters keep an arsenal on hand to match the job. "Use common sense," says Maceyunas. "A smaller brush gives you more control, but no one wants to paint a door with a 1-inch-wide brush." Doherty recommends starting with a 2- or 2-1/2-inch sash brush. The angled brush makes it easier to cut to a line and puts more bristles on the work than a square-tipped brush.
A textured wall will need more paint than a smooth wall. The texture adds more surface area, even though it doesn't increase square footage. Determining the additional surface area depends on how much texture there is. Painters will probably estimate about 300 to 350 additional square feet of paint to account for texture. Factor additional surface area into your square footage calculations when seeking professional estimates.